Jun 06 2012
Bangkok doesn’t give up its secrets too easily, but for those willing to look deeper, the traditional flute making village of Baan Lao on the west side of the Chao Phraya river in Thonburi offers a taste of some “real” Thai culture away from the tourists. It also happens to make a worthy side trip from nearby Wat Arun or Wat Kalayanamit, and while flute making might sound a tad boring, Baan Lao is far from a stuffy crafts museum. In fact, it’s a living example of a tradition that’s continued at this exact spot for more than a century.
The friendly craftspeople of Baan Lao are quick to welcome visitors into their modest workshops to have a peek at — and a listen to — their unique craft. One of three flute masters currently residing at Baan Lao, Khun Sunai, who goes by the nickname of P’Chang (big brother elephant in English) invited us into his workshop/home. His father, grandfather, and great grandfather were all renowned flute players and flute makers who resided in the very house where P’Chang carries on their legacy today.
With a couple of yipping dogs and random relics scattered about in the one-room open-fronted shophouse down a small alley, P’Chang’s workshop has a distinctly humble atmosphere, which at the same time carries an air of mystique.
Although the bamboo flutes produced here are literally an instrumental aspect of traditional Thai music, the flutes — like the people who craft them at Baan Lao — are of Laotian descent. It’s said that a group of Laotian flute specialists migrated from Vientiane to this exact place in Thonburi during the late 1800s, set up shop producing their particularly fine flutes, and have continued to do so for more than five generations.
Crafting a flute takes several weeks, and although the village now produces plastic flutes as well, the far better sounding bamboo versions are created the same way they would have been centuries ago.
After being carefully selected for strength, the bamboo is first dried in the sun before being cut to the desired length. A long, round piece of wood is then inserted within the hollow middle of the dried bamboo for several days so as to balance the fibres, a step that’s pivotal for producing optimal tones. The bamboo is then polished using bricks wrapped in coconut husks. Melted lead or other substances — such as mother of pearl — are sometimes added for decoration.
Once this extensive work has been completed, the all-important step of carving eight finger holes in what will be the front of the flute, one in the back for air passage, and a tiny slit for the mouthpiece at the top is carried out. This step must be done by a focused master craftsperson; one slight wrong move could render the piece ruined.
Flutes are made in various sizes — large pieces of bamboo will produce low-toned flutes while small pieces will produce high tones, and traditionally low, medium, and high toned flutes are played together in melodic accompaniment. Producing the perfect tones in correlation to the carving of the finger holes is solely up to the trained ears of masters. In the old days in Laos, fine flutes played by master musicians were believed to cure the sick, and to put the spirits of the recently passed at ease.
Baan Lao is very much an out-of-the-way attraction, but even if you’re not interested in flutes or traditional Thai-Lao music, it’s still worth the effort to get here simply for the experience of being invited into the home of a traditional flute maker. In fact, everyone and everything found on this little side street and its nearby network of alleys makes for an altogether memorable glimpse of old school Bangkok life.
Along with his wife, son and neighbours, P’Chang can be found most days working on varying flutes, or sharing in an impromptu music session with local flute players who happen to pass by. Especially during late afternoon, the soft harmony of the masters’ flutes gently resonates from down the tiny alley of Baan Lao.
There’s no pressure put on visitors to buy something, but should you want to try your hand at the Lao flute, plastic pipes go for between 50 and 150 baht, and larger bamboo versions run 5,000, with more elaborate designs going up from there.
Baan Lao is located down Itsaraphap Soi 15 near Bansomdet Rajabhat University in the heart of Thonburi. Although a handful of flute makers are found along this sleepy side street, P’Chang’s and a couple of other houses known for their expertise are set down a narrow alley towards the end of the soi. A brown sign with some information in English marks the entrance.
To get here from Wat Arun, which is one and a half kilometres to the north, walk past the right side of the temple if facing away from the river, down the side street that runs adjacent to the Wat Arun pier. Go left at the end, then right on to Wang Doem Road. After a couple blocks take another left on to Itsaraphap Road, then continue straight, crossing the street when there’s a chance. Continue on Itsaraphap for a ways, passing over the canal, before taking a right on to Soi 15. Follow the soi as it turns sharply left at the temple gate to Wat Bang Sai Kai, and Baan Lao will be a short distance down on the right.
Baan Lao is also about a kilometre and a half walk from Wongwian Yai BTS (sky train) station. From here, back track east a short distance on Charoen Rat Road, take a left on to Somdet Phra Chao Tak Sin Road, and follow it around the King Taksin monument roundabout. Take a left when you hit Itsaraphap Road, and another left on to Soi 15. Alternately, you could take a taxi or tuk tuk from anywhere in the city to “Baan Lao, Itsaraphap 15″. If you’re speaking some Thai, feel free to give P’Chang a call at (083) 133 9941 to make sure he’ll be around.
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